Last month, 43 years after its agonizing birth, “Dreams” landed once more on the US Billboard Hot 100. Since then, “Dreams” has also reentered the charts multiple times, as recently as 20 in the UK, New Zealand, and Ireland. It sold over a million copies and topped the singles charts in Canada and the United Kingdom. 1 and remained for a week on Billboard’s Hot 100 in the United States. When Fleetwood Mac released Rumours, “Dreams” reached no. But, as musicians, we still respected each other.”īuckingham met the moment with his perspective, an insultingly variant approach to the split with “Go Your Own Way.” What was going on between us was sad-we were couples who couldn’t make it through. Even though he was mad with me at the time, Lindsey played it and then looked up at me and smiled. “It was a rough take, just me singing solo and playing piano. “I walked in and handed a cassette of the song to Lindsey,” Nicks told The Daily Mail in 2009. If the song were a fit, he would then record and perform it on stage with the woman he separated from romantically. Nicks’ “crystal visions” of his future regret were a natural part of her healing process but could be interpreted as bitter contempt. Disguised behind dynamic beat-driven production, the painstaking notions were undoubtedly pointed at Buckingham. The song continues down a dark lyrical path, exploring hypothetical loneliness for the perpetrator. “Now here you go again / You say you want your freedom,” Nicks sings, suggesting a turbulent relational past. Omniscient tension seethes through the opening lines. Insisting the duo was a “package deal,” Nicks’ arrival to Fleetwood Mac marked what is now considered the classic line-up of the continuously evolving band. The two joined the McVie’s and founding member, Mick Fleetwood, in 1974 when they recruited Buckingham as a guitarist. Further fueling the flame, Nicks and guitarist Lindsey Buckingham were navigating a one-sided break after almost a decade together as romantic partners and bandmates. While Rumours climbed charts in 1977, the walls were crumbling around them.īehind the scenes of the fanatical album release, a troupe of friends and lovers was unraveling.īassist John McVie was separating from his wife, Christine McVie, the pianist and a singer. The masterful collection elevated the influential rock quintet to the iconic group whose music would forever mark the evolution of folk. The hit record was excruciatingly revealing. The classic track became one of four US Top 10 singles from Fleetwood Mac’s eleventh studio album, Rumours. The master lyricist, beloved as a folk-rock matriarch, spilled her heartache into “Dreams.” In 1976, hidden behind lush Victorian drapes, atop a black velvet bed in the back studio of Sausalito’s Record Plant, a devastated Stevie Nicks sat alone at a Fender Rhodes piano.
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